Sunday, 19 November 2017

'Things A Bright Girl Can Do'

Things A Bright Girl Can Do by Sally Nicholls


Two Young Adult books about women's suffrage in as many weeks is just wonderful stuff. And hot on the heels of last week's enjoyment of Anna Carey's excellent The Making of Mollie comes Sally Nicholls' Things A Bright Girl Can Do, which steps things up a gear and moves us on a few years in terms of age range.

From the blurb:

"Evelyn is seventeen, and though she is rich and clever, she may never be allowed to follow her older brother to university. Enraged that she is expected to marry her childhood sweetheart rather than be educated, she joins the Suffragettes, and vows to pay the ultimate price for women's freedom.

"May is fifteen, and already sworn to the cause, though she and her fellow Suffragists refuse violence. When she meets Nell, a girl who's grown up in hardship, she sees a kindred spirit. Together and in love, the two girls start to dream of a world where all kinds of women have their place."

I loved everything about Sally's new book. Our three sheroes are all well-rounded, engaging and involved characters and involve none of the stereotypes that some previous suffrage novels have fallen into (and which I grumbled about in my post about Anna's book). Instead, Sally gives us raw and gritty depictions of the realities of suffrage campaigning on the eve of the war and into the war, leading to perspectives I've never previously seen in suffrage literature. 

For example, while Evelyn is arrested for her suffragette militancy, it is the depiction of hunger and particularly thirst strike that dominates the description of her prison stay. Indeed, the harrowing explanation of the damage that six days of thirst striking can do to the body was both compulsive and repulsive in its reading, and is not something I've seen in other suffrage novels which have instead favoured the more conventional graphic depiction of force feeding. 

Another good example is the peaceful campaigning of Quaker May and her mother. May's mother has refused to pay her taxes in common with many suffragettes and suffragists who wouldn't pay taxation without representation. But while popular history has us believing that suffrage campaigning ended the second war was declared, May and her mother show us how untrue this was. Through their characters we are also shown the bitterness that many campaigners felt at the volte-face shown by leaders Emmeline Pankhurst and Millicent Fawcett in their support of the war. Instead, May's mother continues to refuse to pay her taxes well into the war... to the point that the bailiffs come round and not only take away all of their possessions, but also move in with the women for six weeks beforehand. Just startling. 

And to have teenage lesbian romance written about without fuss is also highly commended, as is Nell's insistence on wearing men's clothes because she prefers them even though she is jeered at and ridiculed for it. 

Things A Bright Girl Can Do is utterly wonderful, hopeful and inspiring. Please buy it, read it and share it. 

Sunday, 12 November 2017

'The Making of Mollie' by Anna Carey


If there's one thing I am guaranteed to love, it is a novel about the suffrage era. Especially those novels aimed at younger readers, because I am passionate that children should be taught about this important and exciting part of our not-so-distant history. So I was delighted to come across Anna Carey's 2016 novel The Making of Mollie. (I'm no expert on guessing the appropriate age range for kids' books but, given our shero is 14, I'd suggest that's about the right age range for younger readers - although I'm nearly 40 and I also loved it). 

Dublin-based Anna is already a well-established children's author thanks to her popular Rebecca series, for which she has won at the Irish Book Awards. But Mollie is her first piece of historical fiction. You wouldn't know it, though. 

There are many reasons I loved reading Mollie but the absolute number one reason is that it doesn't follow the very well trodden path that so many other suffrage books have. So before I tell you what Mollie is, I will reassure you about what she is not. Mollie is not a working-class girl who meets a middle-class lady who educates her about suffrage; she does not suddenly make friends with Mrs Pankhurst (who was presumably less accessible than the novels suggest); and she does not go to prison and endure a graphic episode of force-feeding. Thank goodness.

Instead, here is what Mollie is. This is a really engaging book written in the form of letters from a schoolgirl to a friend, and our shero is instantly likeable and warm. The period in the book only spans a few months and arguably nothing hugely significant happens (as in, Mollie doesn't do outrageously militant acts, she doesn't get arrested, her parents don't disown her), but because of this it is so much more believable. 

You believe that Mollie and her friend Nora were real people, and that there were hundreds of young girls like them who did exactly the same sort of stunts to feel part of an adult movement. You believe that Mollie existed in Dublin and plucked up the courage to chalk pavements after school and sneak her way out of the house to attend impassioned meetings. You believe that Mollie is real. And that's what makes Mollie stand out from so much other suffrage fiction. Hurray.

I also loved that fact that this book is set in Dublin, and the focus is away from the Women's Social and Political Union and the Pankhurst family and instead is on the Irish Women's Franchise League and its leader Hanna Sheehy-Skeffington (of whom I did not previously know). Anna has used several real-life Dublin suffrage events as anchors around which to pin her story and characters, and it works like a charm. The end result is I plan to go away and find out more about suffrage in Ireland (and surely that's a great result for any author, to inspire her readers to read more).

There is so much to praise about this book, so I urge you to buy a copy for the young teenagers in your life and also a copy for yourself. 

The best news of all is that, judging from Anna's recent tweets, it looks like it won't be too long before another Mollie book hits our shelves. And I, for one, cannot wait. Deeds not words.

Friday, 10 November 2017

'The Tin Drum' at Bristol Old Vic

Photo: Steve Tanner


Hurray! Kneehigh Theatre Company is back in town. Everyone loves Kneehigh - the experimental but accessible Cornish company that prides itself on breathing new life into forgotten fairy tales. And now here they are with a re-telling of the 1959 G√ľnter Grass post-war tale The Tin Drum, directed by Kneehigh artistic director Mike Shepherd. Grass’ original book received the Nobel Prize for Literature, such was its impact and its reflection of World War Two.


When Oskar turns three, he decides life would be better if he never grew up so he resolves to remain a child forever by taking drastic action. Fueled by his anger, his angelic singing voice and his indestructible tin drum, Oskar steels himself to face the world from perpetual infancy. But plans don’t always work out how you want them to, and Oskar hasn’t accounted for the Black Witch and her hold on his world.


What follows is a story about love and war, written by Carl Grose from Grass’s original text, and with a musical score composed by Charles Hazlewood; another two Kneehigh stalwarts. I feel special mention must be given to Hazlewood’s score here, which is truly extraordinary. It has strong echoes of early, raw, electro, Travelogue-era Human League throughout, and is extremely successful in conveying the growing, claustrophobia and panic that consumes a community being enveloped by war and hatred.


But how do we know we can trust Oskar as a narrator? He is a peculiarly self-aware foetus at one stage, and later an angry, precocious and bitter toddler, resentful in the most childish of ways. But he has insight and wisdom. And despite being a mere puppet (and I’ll be honest, when I saw there was a puppet in the cast I really sighed as I do feel puppets have been done to death in contemporary theatre lately), his hollow, dark-eyed face manages to convey a range of emotions depending on which angle the light catches him.


However, the stars of this Kneehigh production of The Tin Drum are undoubtedly Hazlewood’s compelling and effective score and the actor Patrycja Kujawska, who has been with the company for almost 10 years and is always an utter joy to watch.


The Tin Drum is a very special and important show, and has stripped a complex novel down to its bare bones. The audience is left with no doubt that although Grass’ novel was about World War Two, the Kneehigh production is equally a statement about the current state we find ourselves in a terrifying new world.

The Tin Drum is performed at Bristol Old Vic until 18 November, when it continues its tour to Cornwall and then Shoreditch. Click here for more info.

Tuesday, 24 October 2017

"The Cabinet of Linguistic Curiosities"



The latest book to land on my shelf from the mind of wordsmith Paul Anthony Jones is The Cabinet of Linguistic Curiosities. Jones tweets as @HaggardHawks, specialising in archaic and bizarre words that are all real but have somehow largely slipped through the net of daily use. Well, no more! Not with Jones keeping an eye out for them.


Inside The Cabinet, Jones has sourced a word for every day of the year, meaning that this literally is the book that keeps on giving. He's even gone so far as to find a reason (however tenuous) as to why each particular word has been assigned to the day he's chosen. Jones says he hopes to give you a "daily shot of vocabulary", which is an intense way of saying he's determined to bring us all up to his speed when it comes to Scrabble. (On which note, I would imagine playing Jones at Scrabble is ill-advised.)

Since today is October 24, I give you (well, Jones gives you) HARDIMENT:



October 24


hardiment
(n.)
courageousness, audacity; a daring exploit or stunt


Before it came to mean ‘resilient’ or ‘robust’, hardy meant ‘courageous’, and it’s from this original meaning that the word hardiment developed in the early fifteenth century. Originally simply another word for boldness or bravery, by the early 1500s hardiment had come to be used more specifically of a singular act of courage, audacity or heroism, and ultimately a daring stunt or exploit. And as daring exploits go, the one that took place today is up there with the most extraordinary – not least because of the somewhat unlikely character who performed it.


On 24 October 1901, the first person in history went over the edge of Niagara Falls in a barrel and survived. That person was sixty-three-year-old music teacher Annie Edson Taylor. Hoping the stunt would bring her fame and fortune, Taylor had an elongated oak and iron barrel especially constructed for her stunt that was lined with mattresses and fitted with a short breathing tube and safety straps to keep her in place. After she had clambered inside, the barrel was sealed, the pressure inside compressed using a bicycle pump and the hole plugged with a cork. It was then set adrift and bobbed its way down the Niagara River and over the Canadian side of the famous Horseshoe Falls. Twenty minutes later, the barrel was pulled from the waters by a rescue boat and Taylor was found alive and uninjured except for a small cut on her head. The stunt earned her the nickname ‘Queen of the Mist’ – but alas, not the fame and fortune she desired. She died in poverty in 1921.